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He's cream cheese. She's white chocolate. What a peculiarly milky combination, I thought at first. What I didn't realise is how these two pasty ingredients can combine to create a light, smooth-textured cheese cake.
EMAET is neither on the epic side like Dharma Productions' great, grand ancestors nor weighed down by an overload of pop culture references of those that define the genre. Instead the confection's appeal lies in its underplayed wit, quirky within plausibility protagonists and a refreshing disregard for conventional conclusions.
Shakun Batra's Ek Main Aur Ekk Tu is a coming-of-age film. Not for Kareena and Imran's characters, though, but for the industry and the audience. It's okay to say b-u-m without the beep. And talk sex among friends, without a beep. Admit it.
Rahul Kapoor (Imran Khan) lives to please his parents. Riana Braganza (Kareena Kapoor) has dumped six boyfriends and lives life on her own terms. They meet in Vegas but the movie is not about What happened in Vegas.
Instead, Imran Khan as the vulnerable Rahul evolves in front of your eyes. From uptight to edgy, he grows from boy to man.
Kareena takes up from where she left off in Jab We Met. I thought this was better. She adds just the right amount of pep to Riana Braganza. Rahul and Riana don't walk off into the sunshine. The movie has a surprising climax.
Grab your munchies ahead. This one is superbly edited – there are no extra moments in the film and it compares easily to any Hollywood flick, for being a good-looking film.
Amit Trivedi, the young music director comes with an impressive record. You'll remember him for the tracks from Dev D which earned him the National Film Award for Best Music Direction or for Aisha. My favourite is Iktaara from Wake Up Sid.
In a smart conversational excerpt from the film, the hero downplays himself as an ordinary guy who doesn't excel in any particular domain. But the heroine finds uniqueness in his commonplace conduct since he never overindulges into anything. She tags him with the paradox - 'perfectly average'. That precisely defines the film as well. It's perfect in whatever it offers. But what it offers is quite average in volume.
Shakun Batra's Ek Main Aur Ekk Tu is a coming-of-age film. Not for Kareena and Imran's characters, though, but for the industry and the audience. It's okay to say b-u-m without the beep. And talk sex among friends, without a beep. Admit it.
Rahul Kapoor (Imran Khan) lives to please his parents. Riana Braganza (Kareena Kapoor) has dumped six boyfriends and lives life on her own terms. They meet in Vegas but the movie is not about What happened in Vegas.
Instead, Imran Khan as the vulnerable Rahul evolves in front of your eyes. From uptight to edgy, he grows from boy to man.
Kareena takes up from where she left off in Jab We Met. I thought this was better. She adds just the right amount of pep to Riana Braganza. Rahul and Riana don't walk off into the sunshine. The movie has a surprising climax.
Grab your munchies ahead. This one is superbly edited – there are no extra moments in the film and it compares easily to any Hollywood flick, for being a good-looking film.
In a smart conversational excerpt from the film, the hero downplays himself as an ordinary guy who doesn't excel in any particular domain. But the heroine finds uniqueness in his commonplace conduct since he never overindulges into anything. She tags him with the paradox - 'perfectly average'. That precisely defines the film as well. It's perfect in whatever it offers. But what it offers is quite average in volume.
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