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Showing posts with label Hindi film review. Show all posts
Showing posts with label Hindi film review. Show all posts

November 13, 2012

Son Of Sardar movie review

Keep off to protect your Diwali 
You may get depressed to find your action hero of Singham fame Ajay Devgan talking foolish without much sense. Son of Sardar doe not smack of ill-humour, it is stupidity out and out.

Son of Sardar is an attempt at comedy but ends up as tragedy for the audience at least. The film is laboured and effort to evoke laughter is so artificial that one feels like crying instead.

Not that it has not impressive cast—Ajay Devgan, Sanjay Dutt, Sonakshi Sinha and Juhi Chawala to name a few. Each of them has also tried to do well. But they had little chance as the script was hardly enabling.

If your effort to crack a joke fails, everybody knows what happens. The film is precisely that. The main protagonist Ajay Devgan comes back form UK to sold a piece of land in Phagwara of Punjab.

But he lands in a trouble as a family is waiting for him to settle old scores. The revenge of a family murder committed by the father of Jassi (Ajay Devgan) is to be taken. The family which offers him recluse is the one which wants to murder him.

But this family has a ludicrous tradition of not killing a guest till he is in the confines of its house. It leads to subsequent dramas, each beating the other in stupidity and mindlessness.

Sanjay Dutt who had given sparkling performance in Munna Bhai looks so stupid attempting to look innocent that one’s heart goes out to him. So is Sonakshi Sinha who has befriended Jassi on way from Delhi in train but discovered that her family is after his life.

It is indeed tough to make a successful laughter show as your creativity is stretched to its limit. The attempt at Son of Sardar is at best feeble. The combined effort of some of the bollywood finest actors has failed to deliver. Want to protect your Dipawali, keep off Son of Sardar.

Ajay Devgn’s typical masala entertainer defies logic, but doesn’t fail to tickle your funny bone 

If mindless entertainment is what you are seeking this Diwali then Ashwni Dhir’s Son Of Sardaar-starring Ajay Devgn, Sanjay Dutt and Sonakshi Sinha-is the perfect pick. So keep both your snobbish taste and your common sense aside to enjoy this extremely predictable, over-the-top filmy and sporadically entertaining drama. What makes Son Of Sardaar worth a watch is the simplicity of its narration, its inherently nonsense humour and its quirky characters who know where todraw the line. Add to this the much-needed tadka of some larger-than-life action sequences coupled with fine camera work and snappy editing and the movie holds your attention, even if it does so in parts. 

So you have Jassi Randhawa a happy-go-lucky young Sardaar (Ajay Devgn) who has no idea whatsoever about his family’s action-filled murky past and the legendary feud between his family, Randhawas and the archrivals Sandhus. It is only when his colleague discloses certain secrets that Jassi learns about his family and about his ancestral property at his native place in Punjab. He decides to go the village. On his journey, Jassi bumps into Sukh ( Sonakshi Sinha) and both fall in love with each other, but neither confesses their true feelings. Once landed in his Village, Jassi realises that Sukh belongs to the Sandhus’ family headed by the mighty Ranvijay Singh ( Sanjay Dutt). Things become worse when both Jassi and Ranvijay know that they are enemies because of that infamous bloody saga that took place 25 years ago. 

Ranvijay is now thirsty for Jassi’s blood,but can’t kill him so long as Jassi remains his guest. (Atithi Devo Bhav, you see!) Even Jassi knows that the moment he steps out of Ranvijay’s house he will be chopped into pieces by his otherwise warm, welcoming and large-hearted host. If one tries every trick in the book to stay inside the house, the other uses every possible strategy to drive the young Sardaar out. Son Of Sardaar is the tale ofwho outwits the other and how. Will Jassi win Ranvijay over with his values, his might and his honesty to marry the mundi ( Sonakshi) from the house, and most importantly to escape from the almost certain clutches of death. 

It’s a no brainer to guess what conclusion can one expect of this typical churn-off-the-mill-looking entertainer. But Son Of Sardaar has its moments mainly because of the characters involved who give their best to make this ordinary tale look impressive. Ajay Devgn portrays the vulnerable and ready to fight-if-instigated Sardaar really well. Sanjay Dutt’s comic timing and his personality stay with you even hours after you leave the theatre. Sonakshi Sinha is impressive and looks an authentic Panjabi mundi. A special mention here for Juhi Chawla, Mukul Dev and Vindu Dara Singh who hold your attentionwith their antics. Sajid Wajid’s music is melodious, but far from impressive. 

Over all, Son Of Sardaar revels gleefully in its silliness.Watch it, if you will, for the comicalsketches of its characters, some gravity-defying-fights and most importantly for its genuine intention to entertain!

November 9, 2012

Latest Hindi Movies Release List 2012 Diwali Online Ticket Booking

For this Diwali 2012 festival there are more Hindi Bollywood movies to be released in India and Worldwide and the online ticket booking reservation had been started at the cinema theatres.

Son Of Sardaar Hindi Movie 2012:
The Son of Sardaar is the upcoming Hindi Bollywood movie to be released on 13th November 2012 for the Diwali festival which was directed by Ashwni Dhir and the leading roles played by Ajay Devgn and Sonakshi Sinha.
Son Of Sardaar Cast and Crew Details:

Starring: Ajay Devgn, Sanjay Dutt, Juhi Chawla, Sonakshi Sinha, Puneet Issar, Mukul Dev, Vindu Dara Singh, Arjan Bajwa, Tanuja, Rajesh Vivek and Salman Khan.
Director: Ashwni Dhir.
Producer’s: Ajay Devgn, N.R.Pachisia and Pravin Talreja.
Screenplay: Robin Bhatt.
Music Composer: Himesh Reshammiya.
Studio: Viacom 18 Motion Pictures, Eros International, Ajay Devgn Ffilms, and YRV Infra Media.


Khiladi 786 Hindi Movie 2012:
The latest Hindi film Khiladi 786 is directed by Ashish R Mohan with the leading roles played by Akshay Kumar and Asin and this movie Khiladi 786 is to be released for Diwali on 7th November 2012.
Khiladi 786 Cast and Crew Details:

Starring: Akshay Kumar, Asin, Mithun Chakraborty, Himesh Reshammiya, Paresh Rawal, Raj Babbar, Bharti Singh, Claudia Ciesla.
Director: Ashish R Mohan.
Producer’s: Twinkle Khanna, Himesh Reshammiya and Sunil Lulla.
Screenplay: Kushal Ved Bakshi.
Story: Himesh Reshammiya.
Music Composer: Himesh Reshammiya.
Cinematographer: Attar Singh Saini.
Editor: Asish Gaikar.
Studio: HR Musik, Hari Om Entertainment Co.
Distributor: Eros International.


Jab Tak Hai Jaan Hindi Movie 2012:
The upcoming Bollywood movie Jab Tak Hai Jaan is directed by Yash Chopra with the leading roles played by Shahrukh Khan and Katrina Kaif and the film is expected to be released on 13th November 2012 for the Diwali festival.
Jab Tak Hai Jaan Cast and Crew Details:

Starring: Shahrukh Khan, Katrina Kaif, Anushka Sharma, Rishi Kapoor, Neetu Singh and Anupam Kher.
Director: Yash Chopra.
Producer: Aditya Chopra.
Screenplay: Aditya Chopra and Devika Bhagat.
Story: Aditya Chopra.
Music Composer: A.R. Rahman.
Cinematographer: Anil Mehta
Editor: Namrata Rao.
Distributor: Yash Raj Films.



Ghayal Returns Hindi Movie 2012:
Ghayal Returns is an upcoming Bollywood action film which is directed by Ashwini Chaudhary with leading roles played by Sunny Deol and Bipasha Basu and the movie is expected to be released for the Diwali 2012 festival.

November 6, 2012

Diwali Release Movies 2012 List In Theatres Tamil and Hindi

The Diwali 2012 festival is to be celebrated on 13th November 2012, Tuesday in India and as a part of enjoyment there will be lot of movies to be released for Diwali festival at all cinema theatres in major cities of Tamil and Hindi language.
List Of Tamil Movies Diwali 2012:



Thuppakki
On 9th November 2012 itself the Thuppakki Tamil movie is planned to be released for Diwali festival and the movie was directed by A. R. Murugadoss with Vijay and Kajal Aggarwal leads the role.



Podaa Podi
On 13th November 2012 the Podaa Podi Tamil Film will be released for the Diwali 2012 festival of the movie directed by Vignesh Shivan with Silambarasan and Varalaxmi Sarathkumar leads the role.


Kumki

On 13th November 2012 the latest Tamil movie Kumki is planned to be released at the cinema theatres of the movie directed by Prabu Solomon with the leading roles played by Vikram Prabhu and Lakshmi Menon.

Ammavin Kaipesi
It is also expected that the Tamil Film Ammavin Kaipesi directed by Thangar Bachchan to be released for the Diwali 2012 festival with the leading roles played by Shanthnoo Bhagyaraj, Iniya in the film Ammavin Kaipesi.





List of Hindi Movies Diwali 2012:


Son of Sardaar
On 13th November 2012 the film Son of Sardaar directed by Ashwni Dhir is to be released for the 2012 Diwali festival of the movie with the leading roles played by Ajay Devgn and Sonakshi Sinha.




Jab Tak Hai Jaan
The most expected movie Jab Tak Hai Jaan which is directed by Yash Chopra is also planned to be released on 13th November 2012 for the Diwali festival of the movie with the leading roles played by Shahrukh Khan and Katrina Kaif.




Khiladi 786
On account of the Diwali festival celebration the Bollywood movie Khiladi 786 will be released on 7th November 2012 of the film which was directed by Ashish R Mohan with the leading roles played by Akshay Kumar and Asin.

November 1, 2012

Ajay Devgn to clash with Shahrukh Khan this Diwali

Son of Sardaar starring our very own Ajay Devgan will be releasing on the same day as Jab Tak Hai Jaan. Apparently, the film is a remake of the Telugu movie, Maryada Ramanna and the Telugu movie is again a remake of the American silent movie Our Hospitality.

The movie, SOS revolves around Ajay who is an innocent Sikh caught amidst the family conflict. It has loads of slapstick events that will not fail to make you laugh.

October 12, 2012

BHOOT RETURNS hindi movie review

Ram Gopal Varma tells the story – 3D effects in place – of a demonic child who wrecks havoc in the Awasthi household. But does he do it well? Read on…

Kuch hi gharon ko bhoot pasand karte hai. And such an unfortunate bungalow in Bhoot Returns is the one in which Tarun Awasthi (JD Chakravarthy) decides to shift into with his wife Namrata Awasthi (Manisha Koirala), son Tapan and daughter Nimmi. And like it happens in almost every horror movie, everyone – except the alert wife who is always worried when it comes to shifting the residence – loves the house.

Aiyyaa - Hindi movie review

Story: A middle-class Marathi mulgi falls in love and romances a Tamil boy in her quirky fantasies, while her parents are looking for the perfect matrimonial match. 

Movie Review: Arrey Deva, hey kai? Kinky Kanda-pohey topped with sexy sambar-chutney? Of course, this can't beat the madness of the dramatic Deshpandes. A family of 'weird-Ums' - With aai, baba, bhau, aajji and dream-girl Meenaxi Deshpande ( Rani Mukerji), who's truly the Queen of her filmi fantasies (she's revisited every dream sequence as Sridevi, Juhi, Madhuri). So what if this D-family is busy arranging 6pm and 9pm shows of 'Meet The Bride', this one is no Balaji brand bahu, really. She needs more tadka in her life than what a plain diet of varan-bhaat can give. Meenaxi spends time chasing her unique olfactory senses (read: nose) and slipping into long dream-um sequences (where jumping, pumping, thumping, laavni, belly-dancing and more happen) AGB!!!(read: Aga Bai!). When a studly, mysterious Tamil boy Surya (Prithviraj) walks in 'reeking' of manhood, sexuality and 'fragrance', this mulgi just doesn't want to wake up from her wet dreams (funnily, he's the one getting wet in all her dreams); so she starts reading books on Tamil fiction, watching Midnight Masala (Isshh!!), and turning aiyyaas to aiyyos. In the meanwhile, she also meets a potential groom, Madhav ( Subodh Bhave), who believes in filmi romance too, albeit the Farooq Sheikh - Deepti Naval type. 

June 22, 2012

Gangs of wasseypur movie review

Directed byAnurag Kashyap
Produced byAnurag Kashyap
Sunil Bohra
Written byZeishan Quadri
Akhilesh
Sachin Ladia
Anurag Kashyap
StarringJaideep Ahlawat
Manoj Bajpai
Nawazuddin Siddiqui
Jameel Khan
Syed Zeeshan Quadri
Aditya Kumar
Reemma Sen
Music bySneha Khanwalkar(soundtrack)
G. V. Prakash Kumar(score)
CinematographyRajeev Ravi
StudioViacom 18 Motion Pictures
Release date(s)
  • May 2012 (Cannes)
  • June 22, 2012
(Part-I)
Running time320 minutes
CountryIndia
LanguageHindi

Teri Meri Kahaani film review


Directed byKunal Kohli
Produced byKunal Kohli
Vicky Bahri
Sunil Lulla
Screenplay byRobin Bhatt
Story byKunal Kohli
StarringShahid Kapoor
Priyanka Chopra
Prachi Desai
Music bySajid-Wajid
CinematographySunil Patel
Editing byAmitabh Shukla
StudioEros International
Distributed byNadiawala Grandson Entertainment
Release date(s)
  • June 22, 2012
CountryIndia
LanguageHindi
BudgetINR30 crore (US$5.99 million)

April 27, 2012

Tezz movie review

Taut, precise and swift, Tezz works mainly because of its brilliant camera work, commendable background score, sharp editing and fine performances by its actors, but the film’s ineffective central idea falls short in producing a gripping tale

Let’s put first things first. Produced by Bharat Shah and directed by Priyadarshan, Tezz is NOT a cut-and-paste replica of the cult Hollywood thriller Speed. Though the basic premise of Tezz is loosely lifted from the 1994 Keanu Reeves-Sandra Bullock film, the rest of the story is quintessentially Indian at heart, set in England and woefully predictable.

So you have a train (conveniently replacing the bus from Speed) that is on the verge of exploding thanks to a detonator strategically placed somewhere on its exterior. If a particular speed is not maintained, the bomb will go off (the title is justified!). You have passengers being transferred from the fast-moving ill-fated train to another EMU running along a parallel track by 60-something south veteran Mohanlal - his pulling the stunt off all by himself is not at all justified! And you have an original plot with an Indian soul coupled with oodles of emotional drama to make the story uniquely desi. Mallika Sherawat does her bit to set the the tone of the film by shaking her booty in a desi club gaana, Laila…seetiyaan!

Tezz is not a bad film at all, mainly because of the brisk pace that keeps you hooked. It is taut, very well shot and finely edited. The film manages to hold your interest, but it doesn’t quite get you moving forward to the edge of your seat. It definitely gets you almost there, especially at those anxious moments when you find yourself biting your fingernails, anticipating what is going to happen next.

From the promos it is obvious that Tezz is an action-packed masala film, and Priyadarshan’s venture does not let the audience down, though it certainly leaves you craving for a solid and far better central idea. The film has so much going on all at once that you’re left with little time to dwell on the largely ignorable plot holes and some unimpressive visual effects. While watching this otherwise engaging high-octane drama, you chuckle at some naïve factors our filmmakers tend to stick to. People doing evil deeds in Hindi films can’t be just straight-out villainous, but need to justify their villainy as they seek revenge with morality and ethics intact at the back of their modest minds. Taaliyaan!

When the Chief Traffic Controller, London Railways, Sanjay (Boman Irani) gets an intimidating call from Aakash Rana (Ajay Devgn) informing him about the carefully crafted terror attack on the Glasgow-bound train from London, Sanjay takes the responsibility of averting the attack into his own hands. Boman’s daughter, played by Avika Gor of Balika Vadhu, is travelling on the same train, you see. The train can’t be stopped, ‘coz if the speed drops below 60 miles/hour, the bomb will go off. The British government intervenes and sends in their most trusted politician-celebrity head of the counter-terror attack squad, Arjun Khanna (played by the very jhakaas Anil Kapoor), who is known for employing his unique ways to deal with challenging situations. Aadil Khan (Zayed Khan) and Seema (Sameera Reddy) are the key players for Aakash, who is executing the terror operation to settle an old score. Can the bomb be stopped from going off without halting the train? You have to watch the film to find out.

Shot at beautiful locations across England, Tezz scores thanks to its brilliant photography. The visuals are at par with international standards. The action in the film is thrilling. The car stunts and chase sequences are filmed with meticulous attention to detail. Watch the delicious chase sequences in which Sameera gives the London police a chase for their money on a dirt bike while Zayed performs acrobatic Parkour moves as he runs through various key areas of the city. The performances from the principal cast are a huge plus for the film.

Acting wise, Anil Kapoor has a solid presence and is well complimented by equally intense performances from Ajay Devgn and Boman Irani. Sameera Reddy and Zayed Khan don’t have much scope to deliver any acting talent, but both have done a satisfactory job. Kangna Ranaut howls, screams, sobs and manages to act in-between the action with an ease we expect from her. She doesn’t have much screen presence though and Mohanlal is completely wasted, with just four lines in the entire film – watch him help move the passengers while taking giant leaps from one train to the other, and you can’t help but giggle!

All in all, Tezz is a good watch if you have a penchant for glossy action thrillers where the drama inevitably scores over the storyline. The sheer pace of the film overshadows its obvious loopholes effortlessly.

April 20, 2012

Hate Story: Movie Review

Director: Vivek Agnihotri
Cast: Paoli Dam, Gulshan Devaiya, Nikhil Dwivedi

Vicky Donor Review


Star cast: Ayushmaan Khurrana, Annu Kapoor, Yami Gautam, Dolly Ahluwalia, Kamlesh Gill.
What’s Good: The novelty and sensitive treatment of the subject; the comedy; the performances.
What’s Bad: The second half, which plays out like an ordinary love drama; the lack of tear jerking moments.
VerdictVicky Donor is an entertaining fare.
Loo break: A couple, especially in the climax.
Watch or Not?:Watch it to have a good laugh but beware that the film has parts that won’t go down well if you are a conservative person.

February 24, 2012

Jodi Breakers

Ashwini Chaudary has taken a plot that is no new to us. Madhavan and Bipasha are two people who do not believe in love or commitment or long time relations. They Both help People in relation to break up when they have a problem in their relation. This makes the First half quite so obvious to all of us even to people who have not yet watched the movie.
But then at a time when both Madhavan and Bipaasha work for a common client they get more insight into both of them and they both fall in love with each other. This is the twist in the whole movie. Then as usual the story moves on to tell us how they both unite.

People if any have seen kollywood's Pammal K Sambandam Jodi breakers would not be a great story for them. The only thing is Madhavan and Bipaasha break up many jodis in here.

There is not much of Humour which could have been there and also the Director does not have a grip on screenplay. But however Madhavan and Bipaasha both glamorous like anything keeps us occupied for most of the time.
 Few songs are nice and have been visualized greatly.

Overall the Movie is watch worthy once for all its Glamorous visual elements.


February 17, 2012

Ekk Deewana Tha review


Cast: Prateik BabbarAmy JacksonSachin Khedekar
Directed by Gautham Menon
Rating: Minus Ek
Pain and pleasure have the same facial expression. This is why you will share the same face with the lead cast of ‘Ekk Deewana Tha’ through the entire runtime. Love stories that curdle, portray societal and familial tribulations. But here, there is a far graver issue beyond the usual jaat-paat, rich-poor etc: The lead duo can’t act to save Tibet. And as dismissive as it may sound in the first paragraph of this review, it is in fact the iceberg that makes this painful love story crash as we endure the burn.

The film is about an aspiring filmmaker and unemployed dreamer Sachin (Prateik Babbar) who gets knocked out of his world when he bumps into a celestial Mallu-Catholic girl Jessie (Amy Jackson). Following a bit of cutesy stalking, he proposes. She rejects on account of avoiding inter-caste hassles and for their age difference (she’s a year older). He refuses to give up and takes stalking to epic heights by landing up in Kerala, her native place. A lot of dancing, a few digs at Kerala-ites and some storming punches later, we’re left with lot of broken noses and few tattered nerves. By now, you get restless for Amy to give in or at least take a firm stand on anything so that we can get on with our lives. But Amy won’t give up before playing runaway bride, leading him on yet not consenting and making it suffocating for Sachin, the audience and everybody involved. But this is just half the agony for we have the second part to go. After you have braved 70% of the movie, Amy finally accepts and admits to Sachin’s lure only to call it off minutes later over something as trivial as Sachin ignoring a couple of her phone calls. And while love can be a painful feeling, this amateurish attempt at heartbreak can be only worse.

Prateik and Amy are equally challenged in their speech and overall ability to portray joy, suffering, betrayal and most other suitable feelings. So often, an intense dialogue muttered with certain amount of lisp and an air of lazy indifference only reduces cinema to a reality show featuring extras. And while low expectations usually ensure one isn’t disappointed, this one puts you down even when you’re betting on nothing.

Mr Bharat Bhagya Vidhata, A R Rahman is yet another party pooper who seems to have stopped reinventing and his work here sounds like a remixed version of his earlier tunes with heavier bass notes. ‘Hosanna’ may be an instant hit but the bizarre hip-hopping that the video features as the song breaks in abruptly in the movie makes it difficult to enjoy the composition.

After remaking Gautham Menon’s Tamil blockbuster ‘Kakha Kakha’ in Hindi as ‘Force’ last year, Fox Star Studios decided to let him re-jig his own ‘Vinnaithaandi Varuvaayaa’ as this insufferable cinematic blot. Reinstating my stand on remakes, they cannot avoid being compared to the original. And it’s a fail-fail case, since changing the plot means that you’ve lost the fans of the original and if you don’t, then you’re a mere photo-copier.
In a world where any shooting location is a prospective tourism plug, this one does very little for Kerala. For this, all fingers can be confidently pointed at the DOP and the cinematographer who make the lord’s native country seem a little less inviting than the last music video/ love song picturised there.

Through his struggle and strive to win his lady love, Sachin keeps ranting one line, “Duniya mein itni ladkiyan hain par mujhe Jessie se hi pyaar kyun hua?” Perhaps, because Jessie Jaisi Koi Nahin? But the question you will find yourself pondering over through the film will be, “Multiplex mein itni movies hain, phir maine iss movie ka ticket hi kyun liya?”

February 12, 2012

Ek main aur Ek tu - The romantic comedy

He's cream cheese. She's white chocolate. What a peculiarly milky combination, I thought at first. What I didn't realise is how these two pasty ingredients can combine to create a light, smooth-textured cheese cake.


EMAET is neither on the epic side like Dharma Productions' great, grand ancestors nor weighed down by an overload of pop culture references of those that define the genre. Instead the confection's appeal lies in its underplayed wit, quirky within plausibility protagonists and a refreshing disregard for conventional conclusions. 


Shakun Batra's Ek Main Aur Ekk Tu is a coming-of-age film. Not for Kareena and Imran's characters, though, but for the industry and the audience. It's okay to say b-u-m without the beep. And talk sex among friends, without a beep. Admit it.


Rahul Kapoor (Imran Khan) lives to please his parents. Riana Braganza (Kareena Kapoor) has dumped six boyfriends and lives life on her own terms. They meet in Vegas but the movie is not about What happened in Vegas.

Instead, Imran Khan as the vulnerable Rahul evolves in front of your eyes. From uptight to edgy, he grows from boy to man.

Kareena takes up from where she left off in Jab We Met. I thought this was better. She adds just the right amount of pep to Riana Braganza. Rahul and Riana don't walk off into the sunshine. The movie has a surprising climax. 



Grab your munchies ahead. This one is superbly edited – there are no extra moments in the film and it compares easily to any Hollywood flick, for being a good-looking film.

Amit Trivedi, the young music director comes with an impressive record. You'll remember him for the tracks from Dev D which earned him the National Film Award for Best Music Direction or for Aisha. My favourite is Iktaara from Wake Up Sid


In a smart conversational excerpt from the film, the hero downplays himself as an ordinary guy who doesn't excel in any particular domain. But the heroine finds uniqueness in his commonplace conduct since he never overindulges into anything. She tags him with the paradox - 'perfectly average'. That precisely defines the film as well. It's perfect in whatever it offers. But what it offers is quite average in volume. 


January 31, 2012

Jodi Breakers Music Review

The Madhavan- Bipasha Starrer Jodi Breaker's Music is in air and as usual the Salim-Sulaiman pair has indeed done a great job.
The track list comprises of seven songs. They are :


Kunwara 
This song is a fast number which make you dance as soon as you start hearing it. Seems much like a party song. The song is sung by Salim Merchant himself.


Typical Hindi rock songs which People have been hearing always. Even the tone seems like Inspired from well known Hindi song though we could not pin point exactly. The song is specially for Bipasha.


The first Melody in the Track list. Not too brilliant yet a good composition which pleases our ears alone and does not flow to our heart. The English Lyrics are note worthy.

Yet Again a Melody. Nothing too good or bad to say about.

Starts as a melody and flows as a fast beat in the middle. A striking start leaves us tied to the song till the end. Definitely Worth hearing.

The other two songs are the Remix version of the First two songs.

Verdict:2.5/5

January 26, 2012

Agneepath Movie Review

Star Cast:Hrithik Roshan, Sanjay Dutt, Rishi Kapoor, Priyanka Chopra, Zarine Wahab and Om Puri.
Director:Karan Malhotra
Producer:Karan Johar and Hiroo Johar.
Music Directer:Ajay Gogavale and Atul Gogavale.
Genre:Drama, Action.


Story: Set initially in a village called Mandwa in India, Agneepath which eventually moves to Mumbai, is a simple story of Vijay Dinanath Chauhan (Hrithik Roshan) who wants to take the revenge of his father Dinanath Chauhan’s murder from Kancha (Sanjay Dutt). In the journey to achieve his goal, he stumbles upon Rauf Lala (Rishi Kapoor) who becomes his Godfather. Also, meanwhile, he grows up with girl in neighborhood, Kaali (Priyanka Chopra) who eventually becomes his love interest. Now, how will Vijay accomplish his task is the rest of the story!

Story Treatment: Comparisons are inevitable when a classic like Agneepath is remade. Now, the question remains, will Agneepath surpass the expectations and live up to the hype it has created so far? Well, first of all, current Agneepath isn’t the exact replica of original one in terms screenplay. The new entrants like Rauf Lala add new interesting dimensions to the story. This Hrithik-Sanjay starrer flick is a collage of some impactful moments but fitted in the most haphazard manner which makes it impact less at many moments.

Star Cast: Hrithik Roshan is confidence-personified and complements his counterpart Sanjay Dutt who seemingly looked more powerful as an actor in promos. Sanjay Dutt as Kancha was anticipated to give ‘A’ performance and he lives up to the hype. But, certainly above them is Rishi Kapoor who impresses with his flawless power-packed performance. Priyanka Chopra is brilliant in her small but pivotal role. Zarine Khan and Om Puri play their part well. 

Direction: Karan Malhotra still has a long way to go as he comes across as very naïve with his approach towards direction. His act loses threads at most of the times. But, one can’t take away the credit of creating some historical moments like a beautifully shot fight between Hrithik and Rishi. Also, the way Hrithik reveals his real identity as Dinanath’s son to Kancha through a messenger. And last but not the least, the climax where Vijay takes on Kancha leading to latter’s brutal death. 

Music/ Cinematography/ Dialogues/Editing: Barring Chikni Chameli where, Katrina Kaif sets the screen ablaze, none of the songs register. Cinematography gets full marks for capturing the expressions and experimenting with different camera angles. Dialogues are mediocre and crisp editing could have helped in curbing the duration of the film.

3 Ups and 3 Downs: Stupendous performances, fresh storyline despite a remake, Chikni Chameli song and cinematography are strengths of the film. Music, editing, long duration are the weak points.

On the whole, Agneepath totally rests on star power which will get the cine-goers to halls.

November 11, 2011

Rockstar film review | Rockstar movie review | Rockstar Ranbid Kapoor | Rockstar A R Rahaman | Rockstar

A scene from RockstarRanbir Kapoor's [ Images ] new film is a love story that tries to pose as an insight into an artiste's anguish, feels Sumit Bhattacharya.

Director Imtiaz Ali's [ Images ] new film Rockstar has two heroes: Ranbir Kapoor, and A R Rahman [ Images ].

Kapoor, who many believe is Bollywood's next big Kapoor, delivers an impressive performance, portraying with aplomb the buffoonish Janardhan Jhakar, who no one takes seriously, and the grim 'rock star' Jordan who Janardhan becomes.

And Rahman goes on overdrive with a background score that lifts the film with every dive bomb (presumably by woman shred guitar star Orianthi, who you can see perform with Michael Jackson [ Images ] on the This is Itdocumentary, and who has played on Rockstar's song Sadda Haq).

The film is beautifully shot in wonderful locales, and pleasing to the ear too. Prague, one presumes, will soon be inundated with more Indian tourists following in Ranbir and Nargis [ Images ] Fakhri's footsteps.

Apart from the standout background score, Rahman's songs, as usual, take on new life with the visuals. Nargis -- who, to borrow Janardhan's words, looks superhot and supercool -- and Ranbir glow in their scenes together. The dialogue is funny (Bugger off, she says. Burger off? He wonders). Some scenes are hilarious.

But don't let the title fool you. This movie is more an old-school Bollywood love story than the advent of heavy metal in Hindi cinema. Jordan is more like Devdas than his idol Jim Morrison.

On the surface, the film is about a guitar-toting dimwit transforming into an angry 'rock star', an expression that can perhaps give 'awesome' a run for being the most misused term in the English language (my boss sarcastically calls me rock star because I play guitar). But this film is devoid of any insight into an artiste's anguish, try as it might by quoting Jalaluddin Rumi.

There are shades of Jab We Met [ Images ], in the sense that the first half is full of light-hearted moments between an unlikely pair (in this case Janardhan and Heera Kaul, played by Nargis) and that the second half is intense, with twists.

The film opens with Jordan making a true rock star entrance -- after a fight -- in a stadium concert in Prague. But why is Jordan, who has giant billboards in Eastern European countries and the following of a, say, Mahendra Singh Dhoni [ Images ] in India [ Images ], so grim? What's his problem? That's what you will find out if you go see the movie.



The first half is full of promise; the gags are funny as you follow the lovably foolish Delhi [ Images ] college kid Janardhan Jhakar as he attempts to be the Robert Plant of Pitampura and goes out on secret excursions of all things taboo with his sophisticated, rich college mate Heera. Heera is getting married off to Prague soon, and she has a list of wild things she wants to try: Drinking desi alcohol, watching B-grade porn in seedy theatre halls, etcetera. Nice.

But the realism disappears before you can say Sadda Haq.

Janardhan becomes Jordan, a 'rock star' unlike this country has yet seen. (If you disagree, please show me a TV 'breaking news' clip about a non-film musician's love life, or paparazzi hounding any such musician with the regularity and alacrity as those in the film do to Jordan, or any front-page report about a non-film musician.)

The trigger is, of course, a broken heart, and a set of circumstances that are weird, if not bizarre.

I don't want to burden you too much with plot giveaways, but there really is no way a kid thrown out of his house and taking refuge in Nizamuddin Dargah can suddenly start playing a Gibson guitar, which costs anything upwards of Rs 50,000.

Such trivial problems with reality generally do not burden Bollywood films. But this one tries hard to be real and deep -- including lampooning the media, and with Kashmiris shouting Sadda Haq and blurred-out-by-Censor-Board Free Tibet [ Images ] posters -- and falls flat.

It tries to pose as an insight into an artiste's anguish, when it's just a candyfloss romance that even takes the drugs out of a film about a dark star.

What work are the performances. The characters are portrayed with care, and the late Shammi Kapoor [ Images ] plays a shehnai great who spots Janardhan's talent. Many will find sentimental value in the jam scene between him and his great nephew.

Die-hard romantics will find a lot to mush over. A fellow reviewer spotted a couple of teenagers at the Mumbai [Images ] press show weeping buckets.

Many will swoon over Nargis, and the fairer sex will find Ranbir's transformation irresistible, and forgive the fact that his fingers don't move at all like someone who has been playing the guitar since childhood.

Or that throughout the movie he plays variety of gorgeous electric guitars without a cable -- or a wireless device -- attached to any of them. That's like trying to drive a car without fuel.

Again, that amounts to nitpicking in Bollywood, but in a movie that takes care to show the guitarist's pedal board, Fender amplifiers and the singer's in-ear stage monitors, that is just funny.

In a country obsessed with watching some movie or the other every weekend (that's what people do, right? Go to malls and/or watch a film), Rockstar is what is called a one-time watch.

Just don't expect too much

Rating *** of *****

October 28, 2011

Ra one movie Full review

Business Rating: 3.5 / 5 stars
Star cast: Shah Rukh Khan, Kareena Kapoor, Arjun Rampal, master Armaan Varma.
What’s Good: Individual sequences; stars’ performances; excellent visual effects; the superlative action, the ‘Chammak Challo’ song; eye-filling photography; extraordinary background score.
What’s Bad: The first 20 minutes and some portions in the second half which are boring; the story, which is about a video game, will not be fully understood by the computer-illiterate older generation.
Verdict: Ra.One has novelty and great visual effects to see it through at the box-office and ensure profits in spite of its very high cost.
Loo break: A few in the first half.
Watch or Not?: Definitely watch Ra.One for the superlative performances and the grand visual effects and the 3D effects.
Eros International and Red Chillies Entertainment’s Ra.One is the story of Shekhar Subramanium (Shah Rukh Khan), who lives in London and who is so clumsy and uncool that his young, school-going son, Pratik (master Armaan Varma), does not consider him as his hero or idol. In fact, he doesn’t even respect his father like a son should.
Shekhar works in a gaming company and he alongwith his colleagues makes a video game, Ra.One, in which the villain, Ra.One, is almost invincible. He makes the villain so powerful because his son tells him that heroes are boring and villains are cool. As luck would have it, Pratik, who plays games under the name of Lucifer, defeats Ra.One upto a level. Ra.One then loses his head and escapes from the computer in search of Lucifer. Soon, he kills Shekhar when he lies to him that his name is Lucifer. Shekhar takes on the blame in a bid to save his son’s life. But Ra.One, who has now taken the identity of Shekhar’s own colleague Akashi (Tom Wu), does not give up his search for Lucifer alias Pratik.
Meanwhile, Pratik goes to his dad’s office and between Jenny (Shahana Goswami) and Pratik, the two decide that G.One or, in other words, the Good One from the game would have to be released from the game to combat Ra.One.
Pratik and his widowed mother, Sonia (Kareena Kapoor), leave London to return to India and are given a hot chase by Ra.One. After a lot of misses, Ra.One finally confronts the mother-son duo but G.One emerges in the form of Shekhar to save them.
Now, G.One, Sonia and Pratik come to India after G.One has almost eliminated Ra.One. However, Ra.One is re-constructed one day and lands in India. What happens next? Does he find Lucifer? Does G.One protect Sonia and Pratik alias Lucifer? If so, how?
Ra.One Review (Ra.One Movie Stills)

Ra.One Review: Script Analysis

The story, penned by Anubhav Sinha, has been liberally borrowed from several Hollywood films but it has been suitably Indianised. The Indianised screenplay, written by Kanika Dhillon, David Benullo, Mushtaq Shiekh and Anubhav Sinha, is fast-paced for a good part, but the first 20 minutes, and some portions in the second half are a bit boring. Perhaps, the most heart-touching Indian sentiment in the drama is when G.One comes to the rescue of Sonia and Pratik for the first time, appearing like Shekhar. There are other emotional moments like when Sonia takes a promise from G.One that he would save Pratik’s life, come what may, and when G.One and Pratik join forces to try and combat Ra.One in the end. Also, how Pratik is made to realise that ultimately, it is the hero who is good, and it is the villain who is evil and that good is what one should pursue, is subtle yet effective. But the emotions are understated and although they touch the heart-strings, they do not draw tears from the audience’s eyes. Had the sentiments been more pronounced, it would’ve been better as the viewers would be moved to tears.
However, where there are less-than-required emotions, there are some sequences which are absolutely brilliant and constitute major highlights of the film. Among such highlight sequences worthy of applause in the cinemas are the one in which Ra.One chases Sonia and Pratik; the one in which G.One appears all of a sudden between Ra.One and the car in which Sonia and Pratik are seated (in this particular scene, there will be deafening applause in the cinemas); the action sequences between G.One and Ra.One; the taxi-stand sequence at Bombay airport; the Rajnikanth sequence; the sequence showing the re-construction of Ra.One first and G.One later; the train sequence, etc. Here, it must be added that although the writers and the director have taken care to explain the technicalities of the video game in a simplified manner, yet, the drama will be more understood by the city and multiplex audience than the audience in the smaller centres and those frequenting single-screen cinemas. Again, since the base of the story is the Ra.One video game, it will not be fully understood by the computer-illiterate older generation. On the other hand, kids and the youth will love the drama for the very reasons the older generation wouldn’t – it has a lot of technical jargon, the drama is more subtle and less over-dramatic; and the experience is absolutely novel for the Indian audiences.
Comedy is enjoyable and entertaining but the film could’ve done with more of it, especially in the pre-interval portion. The visual effects are excellent and so are the 3D effects (for those watching in 3D). Another plus point of the drama is that it is not stretched too much. The climax, in which the young son of Shekhar collaborates with G.One, to fight the evil Ra.One is exciting in a different way – more than a nail-biting and edge-of-the-seat climax (which the chase by Ra.One in the first half is), it has heart-warming sentiments of father and son.

Ra.One Movie Review: Star Performances

Shah Rukh Khan does a splendid job and is the life of the film. He is good as Shekhar and fantastic as G.One. The look of G.One is wonderful. Kareena Kapoor is also lovely. She looks gorgeous and acts with effortless ease. She is brilliant in emotional scenes. Both, Shah Rukh and Kareena’s dances are remarkable. Arjun Rampal makes an effective villain and looks very handsome and formidable. Master Armaan Varma makes a sensational debut. He looks charming and acts with such aplomb that it is difficult to believe, this is his first film. Tom Wu is menacing enough. Dalip Tahhil is stylish as ever. Shahana Goswami is as natural and realistic as can be. Satish Shah and Suresh Menon evoke laughter. Rajnikanth appears in a single scene in special appearance and makes his presence felt with mersmerising effect. Sanjay Dutt and Priyanka Chopra don’t add much in special appearances. Amitabh Bachchan’s voice over in a portion of the film heightens the impact.

Ra.One Review: Direction & Music

Anubhav Sinha’s direction is good. Credit goes to him for giving the Indian audience a supremely novel experience. He has excelled in the visual effects department as well as in extracting good work from the actors. Music (Vishal-Shekhar) could’ve been better. While the Chammak Challo song is extraordinary, the others could’ve and should’ve been better. The Dildaara song is appealing. The other songs range from fair to good. Song picturisations (Ganesh Hegde and Feroz Khan) are very eye-filling. The picturisations ofChammak Challo and Criminal songs (both by Ganesh Hegde) are extraordinary. Background score by Vishal-Shekhar is wonderful. Nicola Pecorini and V. Manikandan’s camerawork is marvellous. The film looks just too beautiful. Visual effects are outstanding. Action scenes, choreographed by Parvez Khan, Spiro Razatos and Firoz Boss, are mind-boggling. Sets (Sabu Cyril and Marcus Wookey) are lovely. The conversion from 2D to 3D (by Prime Focus) is remarkable. Production values are just too grand.

Ra.One Review: Komal Nahta’s Verdict

On the whole, Ra.One has the novelty factor and visual effects as its greatest plus points. It may be lagging in the other departments but these two – novelty and visual effects – will definitely see the high-budgeted film make profits for all concerned. Looking to the almost unprecedented hype and huge craze for the film and its grand opening, it will sail past its safety mark in the first week itself (after considering all the other sources of revenue too) and then go on to yield profits.